A message is inherently present within every medium. Over recent years, designer Nifemi Marcus-Bello has garnered recognition from the international design community due to an approach that equally emphasizes both his extensive exploration into interiors and a refined choice of environmentally friendly materials. For instance, he created a bamboo pavilion for the 2023 Sharjah Architecture Triennial.
Hailing from Lagos, Nigeria, Marcus-Bello leveraged his nation’s rich history of artistic metalwork and its penchant for innovation to craft his collection titled Oríkì. This project spans three parts, with each section focusing on different metals: bronze, aluminum, and finally copper, the latter being showcased at the Marta Gallery in Los Angeles earlier this year. The image shows him seated on one of those exhibition pieces—a daybed. “My aim was to explore how Africa could refine its resources and engage in multifaceted dialogues,” he explains. “This goes beyond mere material considerations; I also delved into socio-economic aspects, culture, and identity.”
Since he was 14 years old, the designer has been honing his welding skills. In Lagos, where his workshop operates, inspiration comes directly from its surroundings; employing materials sourced locally across the continent and partnering closely with regional craftsmen. “Craftsmen aren’t seen as separate entities,” explains Marcus-Bello. “A lot of these welders have known me since my childhood days. When I present them with concepts, we engage in meaningful dialogues.” This collaborative process excites art institutions, galleries, and collectors alike—a sentiment reflected recently through a new addition to MoMA’s collection. He states emphatically, “My curiosity delves into understanding ‘why’ things come about. Existence shouldn’t be arbitrary but purposeful.”
The tale initially surfaced in the May 2025 edition of
Elle Decor
.
SUBSCRIBE
